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9.01.2013
Burden Of Life - The Vanity Syndrome 2013

Burden Of Life - The Vanity Syndrome 2013






















Burden Of Life - The Vanity Syndrome
Self Released CD 2013

http://www.burdenoflife.de
http://www.myspace.com/burdenoflifemetal
http://www.facebook.com/burdenoflife
http://soundcloud.com/burden-of-life
http://burdenoflife.bandcamp.com/

01 Vanity's Overture     00:48      
02 Delusive Egomania 03:46      
03 Cardiac Catharsis 04:44      
04 Praise the Loss 07:05      
05 Dead Inside - the Severance Cantata Pt. I 04:30      
06 Our Union's Eulogy - the Severance Cantata Pt. II 04:47      
07 Dissolutio Vanitatis 01:04      
08 Enslaved by Liberty 05:30      
09 Beyond the Breaking Point 04:58      
10 Rightful Salvation 09:38      
11 Vanity's Crown 05:30


Karl Arnold Bodarwé - Bass
Tobias "Haimi" Haimerl - Keyboards
Christian "Kötti" Kötterl - Guitars, Vocals
Michael "Schafi" Schafberger - Guitars
Mathias Babl - Drums


Citra dan Kharisma Besar Children Of Bodom rupanya masih begitu Berkuasa dibeberapa Attitude Melodic Death Metal Scene Generasi Berikutnya. sentuhan Gaya Melodic yang merupakan perpaduan gaya Power Metal yang intense dengan kemasan Nge-Death Metal-nya menjadi kiprah tak tergantikan sejak Nama Children Of Bodom Muncul dari Finlandia Scene. disamping itu sentuhan Kuat Norther, Kalmah hingga gaya Ensiferum menjadi Kiblat kokoh bagi Eksistensi Band asal Regensburg, Bavaria, Jerman yang eksis sejak tahun 2002. meski tidak ada kesan " baru " yang ditawarkannya, gw masih tetap menikmati setiap Jemari Riffing Brilian untuk menciptakan Resonansi dan Intonasi Riffing yang begitu Melodius seperti ini. Meski menawarkan beberapa sentuhan berbeda di karakternya, band ini coba masih menawarkan gaya Clean Vokal emosional-nya dibeberapa part, Harsh Vokal Gitaris/Vokalis Christian "Kötti" Kötterl masih mencuatkan imej seorang Alexi Laiho banget pula sejak mengenalkan track pertama " Delusive Egomania " setelah sebuah Intro " Vanity's Overture " a fittingly bleak title to an album largely built of somber, fatalistic anthems of woe and misery. the more macro-societal sort that wishes the whole world to share in the misery as one violent section leads to the next, all the while conforming to most of the established harmonic clichés of traditional heavy metal. This is basically a darker, more hate filled version of those more thrash oriented power metal bands who sing of the coming end of the world rather than dragons and heroism. komposisi musik serta sound-nya masih ga begitu setajam COB, bahkan band ini terdengar lebih Softly karakternya. perpaduan antara Konsep COB dengan Folk Metal-nya Ensiferum adalah menjadi anggapan lain Gw selain gaya baru Kalmah. Don't get me wrong, there is definitely potential here, especially as far as musicianship goes. With the only major problem being the god-awful, heard them a million time vocals and some of the guitar solos feel a little uninspired and considering the guitar work can be a main draw for some – particularly in the solo department. " Praise the Loss " Track Keren yang menghanyutkan dinginnya malam hehehe, sebuah sentuhan Sporadis kompleks banget pada tiupan beberapa nada improvisasi hidup yang begitu epic ! beda dengan " Dead Inside - the Severance Cantata Pt. I ", warna Modern Metallic Riffing menjadi Komposisi Part yang Begitu Gahar menjadi Beat ritmik lick demi lick apalagi sentuhan Standard blastbeat-nya sedikit mewarnai. Sayatan dan Kekuatan Melodius begitu maksimal pada track " Enslaved by Liberty ". Sangat mengingatkan Karisma COB sekali adalah " Beyond the Breaking Point ". into the equation with a mid-ranged baritone vocal line to complement the garbled grunts of the principle vocalist, but still largely sticks to a faster, riff based format. The only song on here that sort of regresses a bit back into cliché Gothenburg style songwriting ! 10 lagu berdurasi hampir 1 jam an ini juga menghadirkan Orkestra Heartchor Regensburg yang dikonduktori oleh Markus Dankesreiter menjadikan nuansa Epic Album full ke-2 ini semakin megah saja kehadirannya. Fans COB banget !! atau Kalmah, Norther hingga Ensiferum, sangat Gw rekomendasikan untuk mencicipi Nuansa Folky Melodius Album ini. should fall in love with this quite easily, though apart from the flashy solos and busy riffing it doesn’t really bring much new to the table. This is a fun little listen which also happens to be pretty depressing at the same time, as neurotic and bizarre as that may sound.

Great image and charisma Children Of Bodom apparently still so ruling Attitude several Melodic Death Metal Scene Generation Next. a touch of style that is a blend of style Melodic Power Metal is intense with NGE-Death Metal packaging it into an irreplaceable gait from Children Of Bodom name comes from the Finnish Scene. Strong touch besides Norther, Kalmah to Ensiferum style into sturdy Qibla for the existence Band from Regensburg, Bavaria, Germany which existed since 2002. although there is no impression of "new" it offers, I was still enjoying every riffing Brilliant fingers to create resonance and intonation are so melodic riffing like this. Despite offering several different touch in character, this band is still trying to offer emotional vocal style Clean it in several parts, Harsh Vocals Guitarist / Vocalist Christian "Kotti" Kötterl still raises the image of an Alexi Laiho really well since introducing the first track "Delusive egomania" after a Intro "Vanity's Overture" a fittingly bleak title to an album largely built of somber, fatalistic anthems of woe and misery. the more macro-societal sort that wishes the whole world to share in the misery as violent one section leads to the next, all the while conforming to most of the established harmonic clichés of traditional heavy metal. This is basically a darker, more hate filled version of those more oriented thrash power metal bands who sing of the coming end of the world rather than dragons and Heroism. musical compositions as well as his sound is so sharp COB ga, this band sounds even more Softly character. COB concept blend with its Folk Metal Ensiferum is a different assumption than the new style Kalmah Gw. Do not get me wrong, there is definitely potential here, especially as far as musicianship goes. With the only major problem being the god-awful, heard them a million time vocals and some of the guitar solos feel a little uninspired and considering the guitar work can be a draw for some play - particularly in the solo department. "Praise the Loss" Cool Track hehehe a sweeping cold night, a very complex Sporadic touch on a few puffs live improvised tone is so epic! different from the "Dead Inside - the Severance Cantata Pt. I", color Modern Metallic riffing that soon became Composition Part Gahar a rhythmic Beat lick by lick Standard blastbeat let alone touch her a little coloring. Incision and melodic strength so maximum on track "Enslaved by Liberty". Charisma is very reminiscent of COB once was "Beyond the Breaking Point". into the equation with a mid-ranged baritone vocal line to complement the garbled grunts of the principle vocalist, but still largely sticks to a faster, riff-based format. The only song on here that sort of regresses a bit cliché Gothenburg back into songwriting style! 10 tracks lasts almost 1 hour late is also present Heartchor Orchestra Regensburg which dikonduktori by Mark Dankesreiter make shades Epic 2nd full album is more majestic presence. COB fans really!! or Kalmah, Ensiferum Norther up, so Gw recommended to sample Nuance's folky melodic album. should fall in love with this quite Easily, though apart from the flashy solos and busy riffing it does not really bring much new to the table. This is a fun little listen roomates also happens to be pretty depressing at the same time, as neurotic and bizarre as that may sound.

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