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8.30.2013
Catarrhal - Fleshgrave 2013

Catarrhal - Fleshgrave 2013






















Catarrhal - Fleshgrave
Rotten to the Core Records CD 2013


http://www.catarrhal.be
http://www.myspace.com/catarrhal
http://www.facebook.com/pages/Catarrhal/35434043493
http://soundcloud.com/catarrhal/funeral-larva

01 Possession 00:48      
02 Funeral Larva 03:49    
03 Impious Fog 04:04    
04 Fleshgrave 04:39    
05 Dressed in Blood and Puke 03:24    
06 Disinter 05:21    
07 Morbid Exhalation 03:33    
08 Into the Arms of Light 04:06    
09 Crimson Rapture 05:03    
10 Outrenoir 06:42


Stefan Cox - Guitar
Xavier Wegria - Guitar
Jean-Louis Lizin - Drums
Romain De Costa - Bass
Serge Massin - Vocals


Catarrhal takes a different route: one markedly more melodic, to be sure, but still quite brutal. These Belgians play a uniquely open, expansive variety of death metal, with riffs that dance higher on the fretboard than usual and song structures that employ subtle changes in dynamics to change the song's texture and mood. The music here is as much newer Behemoth as it is Decrepit Birth, and is significantly better than one of those artists. I'll leave you to decide which one! Surprise Juga nih untuk materi full ke-2 mereka dari segerombolan Metalhead Brutal Belgia Scene. Sebuah Perkembangan pesat untuk kemajuan Konsep bermusik band ini makin terlihat jelas dialbum ini, More Faster, Intense and Melodic ! Catarrhal is sort of the anti-Suffocation, despite how they could both be conceivably described as brutal death metal bands (the latter more than the former, of course). Where those widely heralded New Yorkers specialize in their dark, claustrophobic, oppressive compositions. setelah diawali dengan sebuah Intro Guitar Instrument selama 48 Detik, " Funeral Larva " langsung menghajar dengan seguhan Hyperblasting Snare Intense ! sajian Berdarah yang didominasi dengan Kapasitas Low Level Bass Drum padat menciptakan atmosfir kekejaman Brutalitas mereka. sayatan Rollin Riffing dikocok dengan Intonasi Speed seakan membuat kelam suasana via Dark Harmonization, kecupan hitam ala Immolation serta Incantation sedikit mewarnai dengan perpaduan fast part bergaya Behemoth serta beberapa sentuhan dinamis Decrepit Birth menjadi ancaman tersendiri pada komponen musik yang mereka ciptakan. Hentakan Twin Pedal Powerfully Drummer Jean-Louis Lizin seakan menjadi Sang Pendominasi setiap pukulan demi Pukulan. Gaya Dark Riffing Rollin On Band ini memang membuat Dimensi Hitam lebih banyak kayaknya membawa pengaruh kuat gaya bermain Morbid Angel. Perhaps the grindcore influence I detect is in the mood itself: not nearly as dark and oppressive as most brutal death (though substantially more than any pop music you're likely to hear); a bit more reflective and grandiose. This grandiosity is another one of the defining parts of the music: transfers between fast-paced blasting and double bass sections shift easily ! Part awal " Fleshgrave " memang lebih condong mereka memamerkan gaya Progresif Riffing fantastis Tapping serta Hammer On lebih mencoba mengingatkan gw dengan gaya Khas Cannibal Corpse. Kuantitas Death/grind yang semakin kental coba meredupkan potensi mereka jika gw bandingkan dengan hentakan pada Track " Funeral Larva ", mungkin sebuah Komposisi beat yang mulai menurun, tapi masih menyimpan sayatan Permainan yang serba dinamis ! jika ingin merasakan kekejaman Ngebut Berikutnya, Silahkan cicipi " Disinter ", tapi juga sentuhan Kuat Old School Death Metal style amat begitu terasakan pula. atau ingin berheadbang, rasakan sendiri " Into the Arms of Light ", yang memiliki Komposisi Prima penghentak Suasana dengan balutan Death Metal yang begitu Kental. Performances from each member are solid: drums combine standard death metal technique with propensity for militaristic combinations of speedy double bass and quick, snapping snare rolls while unusually audible bass guitar echoes the guitars at lower notes, forming the rolling foothills around the mountains that are the riffs, arcing gracefully underneath the most obvious sounds. Vocals are a standard death growl; not unique, but effective and suitable for the sounds. Catarrhal is primarily an instrumental band anyway; while not very catchy, the songs seem particularly demanding of one's attention, as if threatening to leave you without a clue as to where you've been or where you're going, like taking five minutes outside of a film for a smoke and being greeted with a dozen new characters. Is this a good thing? Perhaps; it encourages a more active listener, but it also prevents itself from being particularly comfortable background music. selama durasi 41:29, 9 lagu Dinamis siap menghantarkan Gempuran Hitam dan Kejam dengan Gaya Death Metal lama melalui sentuhan yang terasa modern ! I don't get the feeling that anything is really being created here. " Fleshgrave" is really just a stew; a bunch of elements put together in a pot and stirred up. Sure, it's tasty enough, but it doesn't reflect a great deal of talent from the cook and no new flavors present themselves at any time.

Catarrhal takes a different route: one markedly more melodic, to be sure, but still quite brutal. These Belgians play a uniquely open, expansive variety of death metal, with riffs that dance on the fretboard higher than usual and song structures that employ subtle changes in dynamics to change the song's texture and mood. The music here is as much as it is newer hotel Behemoth Decrepit Birth, and is Significantly better than one of those artists. I'll leave you to decide which one! Also surprise ya for the material their 2nd full of a bunch of Metalhead Brutal Belgian Scene. A rapid development to advancement of musical concept band's increasingly clear this dialbum, More Faster, Intense and melodic! Catarrhal is sort of the anti-Suffocation, despite how they could both conceivably be described as brutal death metal bands (the latter more than the former, of course). Where those New Yorkers, Instant heralded specialize in their dark, claustrophobic, oppressive Compositions. after starting with an Intro Guitar Instrument for 48 Seconds, "Funeral Larva" immediately struck by seguhan hyperblasting Snare Intense! Bloody dish is dominated by capacity Low Level Bass Drum Brutality cruelty dense atmosphere they create. Rollin incision riffing Speed ??intonation as if shaken by a dark atmosphere made via Dark Harmonization, black kiss ala Immolation and Incantation little color with a blend of style Behemoth fast part and a dynamic touch Decrepit Birth threat components separately in the music they create. Twin Pedal Powerfully pounding drummer Jean-Louis Lizin seemed to be the dominator every blow-by-blow. Dark style riffing Rollin On This band is making more Black Dimension seems to bring the powerful influence playing style Morbid Angel. Perhaps the grindcore influences I detect is in the mood itself: not nearly as dark and oppressive as most brutal death (though substantially more than any pop music're Likely to hear), a bit more reflective and grandiose. This grandiosity is another one of the defining parts of the music: transfers between fast-paced blasting and double bass sections shift Easily! Part early "Fleshgrave" are more inclined to show off their fantastic style riffing Progressive Hammer On Tapping and over trying to remind gw Typical style Cannibal Corpse. Quantity Death / grind is more viscous try to dim their potential if i compare with the beat of the track "Funeral Larva", perhaps an beat composition that began to decline, but still keep the incision is completely dynamic game! if you want to feel the cruelty Speeding Next, Please taste "Sintered", but also a touch of Old School Death Metal Strong style is so very well be felt. or want berheadbang, feel themselves "Into the Arms of Light", which has a composition Prime breaking atmosphere with a bandage Death Metal is so condensed. Performances from each member are solid: standard death metal drums combine technique with propensity for militaristic combinations of speedy double bass and quick, snapping snare rolls while unusually audible bass guitar echoes the guitars at lower notes, forming the rolling foothills around the mountains that are the riffs, arcing gracefully underneath the most obvious sounds. Vocals are a standard death growl; not unique, but effective and suitable for the sounds. Catarrhal is primarily an instrumental band anyway; while not very catchy, the songs seem particularly demanding of one's attention, as if threatening to leave you without a clue as to where you've been or where you're going, like taking five minutes outside of a movie for a smoke and being greeted with a dozen new characters. Is this a good thing? Perhaps; it encourages a more active listener, but it also prevents itself from being particularly comfortable background music. during the duration of 41:29, 9 songs ready to deliver strikes Dynamic Cruel Black and Death Metal with the old style through modern touch feels! I do not get the feeling that anything is really being created here. "Fleshgrave" is really just a stew: a bunch of elements put together in a pot and stirred up. Sure, it's tasty enough, but it does reflect a great deal of talent from the cook and no new flavors Present Themselves at any time.

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