01 Oblivion part 1: The Chant of Tyrants 01:39 02 Black Veils of Justice 03:11 03 Between Suns of Light 02:50 04 Binary Souls 03:24 05 Reclamation 04:11 06 Canon 1 in E minor 02:30 07 Annunaki 03:06 08 Reigns in Fire 04:59 09 Cancer of Wraiths 03:52 10 Multiverse 04:41 11 Oblivion part 2: Infinite Descent 05:34
Ted O'Neill - Guitars Nick Vasallo - Vocals Beniko Orum - Bass Luis Martinez - Drums Victor Dods - Guitars
Ketertarikan penggunanaan Nama OBLIVION memang harus bersanding dengan banyak kesamaan nama di kancah metal internasional, seperti halnya band Technical Death Metal Keren asal Bay Area, California ini harus tetap eksis dengan konsistensi setelah juga ada 5 band didaratan Amrik yang menggunakan nama Oblivion, hadehhh ... band bentukan Gitaris Shredder sadis Ted O'Neill ( Ex. Alchemicon ), Bassis/Vocal Nick Vasallo ( Ex. Antagony ) dan Gitaris Joe Ellis ( ex-Light This City, ex-All Shall Perish, ex-Gunmetal Grey ) tentu sudah menjadi Scenester band2 terkenal. apalagi setelah masuknya Bassis Beniko Orum yang ex-End of All, ex-All Shall Perish, ex-Antagony, sehingga Nick Vasallo lebih fokus diposisi Vokal, namun sayang ga lama setelah proses rekaman ini, Gitaris Joe Ellis mengundurkan diri dan akhirnya langsung tergantikan oleh Victor Dods, mantan Gitaris band Hacksaw to the Throat. memainkan konsep Brutal Technical Death Metal yang keren, band ini siap menjadi pujaan baru di Kancah Extreme metal dengan gaya Permainan yang dinamis, especially untuk Gaya Shredd Riffing yang cucok abis !! Scattered throughout this release are elements of progressive music and black metal with riffing clearly influenced by the thrash metal bands that dominated the metal scene in the 1980's, all with a fine death metal coat that it wears proudly and anchors all of these styles down with and gives it one solid focus. To end the debate, yes this is a death metal release but with a huge amount of variety to its sound and elements of many other genres that makes for one ass-kicking release. perpaduan gaya musikalnya memang unik untuk gw nikmati, biarpun style sound-nya modern punya, tapi beberapa penampilannya lebih terkesan mencoba back to root dengan sentuhan Thrash metal yang kental, sehingga menjadi daya tarik tersendiri buat gw nikmati semua Tracknya. The instrumental prowess on display here is something to be marveled at with some hyper fast and technical guitar playing driving the album forward at a fantastic pace. The guitar work is handled tastefully and is not the complete ear rape that much "technical" metal turns out to be and actually sounds rather amazing on this release !! " Black Veils of Justice " menyerang setelah dibuka denga sebuah Intro " Oblivion part 1: The Chant of Tyrants ", dan " Black Veils of Justice " adalah serangan awal mengejutkan dengan Hyperblaster snaring dan Gaya Riffing yang extra cepat karakteristik Shredd yang menawan. the guitars on this release sound with its swift transition from the highly technical riffing to a more thrash-influenced style of chord based riffing that serves as something of an interlude. The guitars are also written in a highly progressive manner leaving the listener wondering how they got from A to B. The transitions on this release are ingeniously written so that every riff flows into the next one without disrupting the flow of the release and helping for this album to just feel like one roller coaster ride and a solid whirlwind of lightning fast riffs that is guaranteed to take you off your feet. bagaimana Permainan Thrash Metal 80-an coba dikombinasikan dengan musik yang cepat, sepertinya Gitaris band ini seperti tidak pernah bisa diam untuk menari nari kan jemari tangannya. pokoknya gaya Riffingnya memang benar2 menawan Indera dengar gw dengan segala permainan yang Dinamis. sementara Gempuran drummer Luis Martinez lebih menawarkan part2 yang cepat dan standard, The drumming on this release is intense and varied with the usual blast beats being the main course for this release but also a number of slower beats that never feel lifeless or devoid of creativity. shows straight away how quickly this album can change styles from the opening beat with a fast lead fill over the top before diving headfirst into some quick blast beats before slowing down a little for a thrashier section and some rapid flurries of double bass work. dentuman Twin pedal yang rapat, sounding record materi ini memang telah dihadirkan dengan profesional abis bersama Enjiner yang terkenal udah bikin masterpiece band2 dasyat seperti All Shall Perish, Immolation, Severed Savior, Six Feet Under, serta masih buanyak lagi juga dikenal sebagai Gitaris band Heavy Metal, Midnight Chaser telah kembali menciptakan masterpiece mengerikan ditahun 2013 ini. This release has so many different faces to it that make for a varied and interesting thrill ride that will stay with you long after you hear it and although it may seem premature, this is already a potential candidate for album of the year... jika elo salah satu Fans Teknikal Brutal Death metal yang ingin mencari " Suasana " lain dari kebanyakan yang udah ada, kayaknya " Called to Rise " bisa menjadi pilihan Menantang nih pada 11 Track berdurasi 39:57 yang dirilis secara Independen ( sayang memang Jika Band ini masih belum menemukan label, coz komposisi musiknya patut mendapat perhitungan Khusus untuk kategori berbahaya dari Band yang selama 12 Minggu menjadi Band Nomor satu di Situs Bandcamp ! )the atmosphere it creates before a quick drum fill leads into a ridiculously fast tremolo picked riff and then a beautiful fast-paced thrash interlude riff before the tremolo picking begins again.
Interests usage OBLIVION name must be coupled with a lot of similarities in the name of international metal scene, as well as Technical Death Metal band origin Cool Bay Area, California should continue to exist with no consistency as well on land Amrik 5 band using the name Oblivion, hadehhh ... band formed by guitarist Ted O'Neill sadistic Shredder (Ex. Alchemicon), Bassist / Vocals Nick Vasallo (Ex. Antagony) and guitarist Joe Ellis (ex-Light This City, All Shall Perish ex-, ex-Gunmetal Grey) would have to be Scenester band2 famous. especially after the entry of the ex Bassist Beniko Orum-End of All, All Shall Perish ex-, ex-Antagony, so Nick Vasallo focus more vocal position, but unfortunately ga shortly after this recording process, guitarist Joe Ellis resigned immediately and eventually replaced by Victor Dods, former guitarist Hacksaw to the Throat. play Brutal Technical Death Metal concept is cool, the band was ready to become a new idol in the world of Extreme Metal with a dynamic style of game, especially for the cucok Style Shredd riffing abis!! Scattered throughout this release are elements of progressive music and black metal with riffing Clearly influenced by the thrash metal bands that dominated the metal scene in the 1980's, all with a fine death metal coat that it wears proudly and anchors all of these styles down with and gives it one solid focus. To end the debate, yes this is a death metal release but with a huge amount of variety to its sound and elements of many other genres that makes for one ass-kicking release. is a unique blend of musical styles to enjoy gw, although his sound modern style has, but some try to impress him with a back-to-root with a touch of thrash metal is thick, so the main attraction for i enjoy all Tracknya. The instrumental Prowess on display here is something to be marveled at with some hyper fast and technical guitar playing driving the album forward at a fantastic pace. The guitar work is handled tastefully and is not the complete ear rape that much "technical" metal turns out to be and actually sounds rather amazing on this release! "Black Veils of Justice" attack after opening premises an Intro "Oblivion part 1: The Chant of Tyrants", and "Black Veils of Justice" is the initial attack and surprise with Hyperblaster snaring an extra fast riffing style Shredd charming characteristics. The guitars on this release sound with its swift transition from the highly technical riffing to a more thrash-influenced style of chord-based riffing that serves as something of an interlude. The guitars are also written in a highly progressive manner leaving the listener wondering how they got from A to B. The transitions on this release are ingeniously written so that every riff flows into the next one without disrupting the flow of the release and helping for this album to just feel like one roller coaster ride and a solid whirlwind of lightning fast riffs that is guaranteed to take you off your feet. how to game the 80's Thrash Metal try combined with the fast music, the band's guitarist seems like nothing ever restless to dance her fingers danced. principally Riffingnya style is captivating sense of hearing benar2 gw with every game Dynamic. while Onslaught drummer Luis Martinez offers a more rapid and standard part2, The drumming on this release is intense and varied with the usual blast beats being the main course for this release but also a number of slower beats that never feel lifeless or devoid of creativity. Quickly shows straight away how this album can change styles from the opening beat with a fast lead fill over the top before diving headfirst into some quick blast beats before slowing down a little for a thrashier section and some rapid flurries of double bass work. Twin boom pedal that meeting, sounding record this material has indeed been presented with a professional Engineer with the famous abis've made masterpiece band2 All Shall Perish terrible as, Immolation, Severed Savior, Six Feet Under, and was also known as buanyak another guitarist Heavy Metal , Midnight Chaser has again created a masterpiece terrible year 2013. This release has so many different faces to it that the make for a varied and interesting thrill ride that will stay with you long after you hear it and although it may seem premature, this is already a potential candidate for album of the year ... if one elo Technical Brutal Death Metal Fans who want to look for "atmosphere" than most others that already exist, I think "Called to Rise" can be a challenging choice nih 39:57 on 11 Track length were released Independent (love it if this band still have not found a label, coz musical compositions deserve special calculations for hazardous category of Band Band 12 Weeks became number one in the world's Bandcamp!) the atmosphere it creates the before a quick drum fill leads into a ridiculously fast tremolo picked riff and then a beautiful fast-paced thrash riff interlude before the tremolo picking begins again.
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