Shredding Sanity - Modern Inertia
Self Released CD 2013
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01 Modern Inertia 05:15
02 Man Made Plague 04:31
03 The Asylum 04:37
04 The Forgotten 04:47
05 Addicted 06:13
06 Delusion 06:01
07 The Price to Pay 04:04
08 Utopia 04:04
09 Process of Self Destruction 04:21
10 The Gathering 04:26
Clément Henry - Guitar & Vocals
Aymeric Lance - Guitar
Thibaut Gugger - Drums
Léo Julien - Keyboard
Norman Lelarge - Bass
Harmonisasi Riffing Melodius memang menjadi Faktor Dominan saat menikmati Alunan Full album " Modern Inertia " Band Melodic Death Metal asal Perancis ini, seperti Jari Jemari sedang Bernyanyi disetiap lagu memang menjadi Kekuatan attitude Duo Gitaris Aymeric Lance bareng Vokal Gitaris Clément Henry, ini menjadi seperti pertemuan antara Children Of Bodom dengan Night Gales sekali. Kerjasama yang bagus pula dalam hal aransemen musikal tetap mengedepankan Irama terpadu disetiap jengkal nada-nya, memang bagi Gw salah satu Fans Melodic Death metal menjadi lebih terkagum kagum untuk menciptakan komposisi Indah seperti ini memang tidaklah mudah. slightly less powerful overall effect (though the black element was barely prominent, and disappeared rather quickly). The dynamic guitar/keyboard interplay is the star of the show, trading melodic punches in a cutting dance that was quite fresh for its time, a technique generally relegated to progressive power metal. " Modern Inertia " langsung menduduki Urutan Awal Track Album ini langsung menggebrak mempesona dengan Sounding Modern Melodic banget, The tone, like most all of the bands work to date, is very upbeat, and even this early on, it was clear that Laiho was a very talented guitar player, well on his way to becoming one of the most unique shredders in the metal world. However, his unique and unmistakable riffing style was only in its embryonic stages, and the deepest impressions resonate from the neo-classical leads and infectious melodies, rather than the individual riffs. His interplay with keyboardist Janne Warman is not nearly as pronounced as it would invariably become, but they mesh very well, the keys acting as hovering. Saling menempati Posisi masing2 melalui Kerjasama solid memang menjadi Syarat mutlak terciptanya komposisi yang lebih berani. Gaya Solo Neoclassic Yang Melodius menjadi saling bersahutan menempati Setiap Pattern Musikal-nya, sehingga benar2 gw kehabisan kata2 bagaimana menggambarkan harmonisasi Indah lagunya. 10 Track Manis Dalam Durasi 49 akan menjadi teman Yang Asyik disaat sedang Aktifitas nyantai nih. buat pecinta berat Stuff Melodius Death Metalm, tentu Gw rekomendasikan betapa Kerennya album ini yang mampu menciptakan Dimensi dan Fantasi luar biasa pada Lick bermusiknya. Structurally, the songs are just as over-the-top as the music itself. What the music lacks in abrupt time signature changes and overtly progressive elements it makes up for in non-cyclical riff progressions. Rarely does it seem that these guys adhere to traditional song arrangements, choosing to just add riff upon riff, seasoned with leads and interludes, until the song’s end. In a way, this further affect the band’s catchiness, already impeded by the rough vocals, but it’s only a problem if you see it as one. with the keyboards there is plenty of moments where you can tell the band have some classical music influence. The solos are amazing (when you consider the age of the members and the age of the band – even more amazing) and the leads are well played. The guitar sound is often mudded down due to poor production but if one listens hard enough you can hear the talent. you would be hard pressed to find a blend of tasteful guitar virtuosity, black metal atmosphere, neoclassical influenced keyboard parts, and heavy metal attitude. This album has it all.
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