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8.27.2013
Festering Remains - Stabbed Beyond All Recognition EP 2012

Festering Remains - Stabbed Beyond All Recognition EP 2012






















Festering Remains - Stabbed Beyond All Recognition
Sevared Records EP 2012

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timisoara@live.se
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01 Deformed Hillbilly 04:07      
02 Hatchetfucked 03:14      
03 No God (Bloodsoaked cover) 03:12      
04 Stabbed Beyond All Recognition 02:29


Erik Karlsson - Guitars
Tim Svanberg - Vocals


Kagak ada Capeknya Gw menulis tentang Stuff Brutal Death Metal saat ini. Only Brutal is Real hehehe ... Nih Gw kenalin lagi sajian Brutal Death metal asal Umea, Swedia, Festering Remains yang mencoba mengulik kembali sentuhan Old School Death Metal menjadi karakter yang dimainkan oleh Bloodsoaked, Viral Load, Putrid Pile, Gorgasm, hingga Autopsy ! meski " Stabbed Beyond All Recognition " adalah karya perdana sejak band ini terbentuk tahun 2011 lalu, cukuplah bagi mereka menjadikan Modal serius untuk menancapkan taring tajam ke belantika Brutal Freak, 2 remaja ini tetap antusias menggarap karya terbaik mereka walau tidak memiliki seorang drummer, yang pada akhirnya Pada proses rekaman digunakanlah drum programming, karena pembantaian harus tetap berlangsung, Slaughter Must Go On ! Everything's just working in tandem most of the time: the drum machine blasts or double basses with the occasional bit of syncopated snare (there aren't really any fills at all), the guitars run through sequences of tremolo riffs and Suffocation-type chugging sections, with a fair bit of melody to each, actually, and the vocals alternately gurgle or shriek various socially unacceptable things. The whole thing is structured very sequentially: riff one, riff two, riff three, etc. It's simple and It's also to the album's advantage that all those riffs and screeches are executed well, in the context of good songs, and wrapped up in a pretty bow of bass-heavy and crystal clear production. Ep yang cuman mengandung 4 lagu ini dimulai dengan Track " Deformed Hillbilly ", cukup menggerinda Cantik dengan Harmonisasi Darkless Riffing ala Viral Load Banget, meski ga terdengar Berat, sajian Riffing Erik Karlsson lebih menawarkan aransemen Old School Death Metal yang Manis. sementara karakter Vokal Dinamis Tim Svanberg melengkapi eksekusi mematikan berikutnya. ga terlalu banyak permainan sporadis pada komponen bermusik duo remaja ini, selain melahirkan alunan aransemen musik yang Sinkron. " Hatchetfucked " juga lebih banyak menawarkan komposisi Gaya Death Metal klasik dengan Intensitas tertentu, gaya Brutalitynya memang kadang cenderung mengarah ke gaya bermainnya Bloodsoaked. dan Track selanjutnya, " No God " nya Bloodsoaked mereka aransemen ulang masih dengan sentuhan yang utuh seperti yang dimainkan oleh Peter Hasslebrack of Bloodsoaked. so while you get the feeling you've heard this all before you still can't help but to jerk about in violent libation. Personally, though, I rather preferred the more clinical sounding sequences through the album which focused in on the more delicate, crisp floods of notes. is not just jumping on the current trends in retro death metal. meski bagi Gw belum ada yang terlalu Istimewa buat gw tulis disini, tetap gw nantikan sajian lebih matang lagi dari Swedish The Next Death Metal Generation ini. Artwork sampul Kover yang menarik cukup menambah nilai tersendiri bagi metalhead untuk merasakan sendiri siksaan Festering Remains ! All throughout the album, the riffs are not varied, not dwelling on the same riff for overlong amounts of time, yet not going to ridiculous extremes and changing riffs ever two seconds. Overall, it keeps a nice balance between technicality and simplicity.

No tired writing about Stuff Brutal Death Metal today. Brutal is Real Only hehehe ... Here I Introduce longer serving Brutal Death Metal origin Umea, Sweden, Festering Remains trying play back Old School Death Metal touch to the character played by bloodsoaked, Viral Load, Putrid Pile, Gorgasm, until Autopsy! although "Stabbed Beyond All Recognition" is a pioneering work since the band was formed in 2011, it is enough for them to make serious capital to plug into sharp fangs Freak Brutal scene, 2 teens still enthusiastically working their best work despite not having a drummer, who in In the end the recording process is used drum programming, because the slaughter must go on, Slaughter Must Go On! Everything's just working in tandem most of the time: the drum machine blasts or double basses with the occasional bit of syncopated snare (there are not really any fills at all), the guitars run through sequences of tremolo riffs and Suffocation-type sections Chugging , with a fair bit of melody to each, actually, and the vocals alternately gurgle or Shriek various socially unacceptable things. The whole thing is very structured sequentially: one riff, riff two, three riffs, etc. It's simple and It's also to the album's advantage that all those riffs and screeches are executed well, in the context of good songs, and wrapped up in a pretty bow of a bass-heavy production and crystal clear. Cuman ep contains 4 songs that started with Track "Deformed Hillbilly", simply grind Beautiful with Harmonisation Darkless Viral Load Banget riffing style, despite sounding weight ga, riffing Erik Karlsson serving more offers arrangements Old School Death Metal Manis. while the characters Vocal Dynamic Team completes execution Svanberg next deadly. ga sporadic too many games on teen duo's musical component, in addition to the strains of childbirth Sync musical arrangements. "Hatchetfucked" also offers a more classic death metal style composition with a certain intensity, Brutalitynya style is sometimes tend to lead to his playing style bloodsoaked. and the next track, "No God" re-arrangement of his bloodsoaked they are still with the touch intact as played by Peter Hasslebrack of bloodsoaked. so while you get the feeling you've heard this all before you still can not help but to jerk about in violent libation. Personally, though, I rather preferred the more clinical sounding sequences through the album roomates focused in on the more delicate, crisp floods of notes. is not just jumping on the current trends in retro death metal. although for Gw no one has made Special too I wrote here, i still look forward to serving more mature again from the Swedish Death Metal The Next Generation this. Kover cover artwork is interesting enough to add value to yourself to feel the torment metalhead Festering Remains! All throughout the album, the riffs are not varied, not dwelling on the same riff for overlong amounts of time, yet not going to ridiculous extremes and changing riffs ever two seconds. Overall, it keeps a nice balance between technicality and simplicity.

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