01 Intro 00:55 02 Ouroboros Chains 02:44 03 Bring the Void 02:13 04 Archeopteryx 03:35 05 Those Having Been Hidden Away 03:16 06 Prelude #2 01:45 07 Judgments and Curses 02:32 08 Lesions from Vicious Plague 03:35 09 Caustic Vertigo 02:21 10 Creation Continuum 03:28 11 Outro 00:53
James O'Neal - Bass Chris Lollis - Vocals Ethan Lane - Guitars Alex Lancia - Drums Kreishloff - Guitars
Extravagant luxuries like mid tempo breaks hi-tech studio shenanigans conventional song structures and even guitar solos are all unnecessary in Lecherous Nocturnes world: their music is an unrelenting firestorm of grinding double-picked guitars, Alex Lancias powerful machine-gun drumming, and massive low-end rumble courtesy of bassist James O'Neal, the intensity here is way over-the-top, the bands fury is super-concentrated and highly disciplined bursts of bile ! seperti menjadi sebuah ungkapan yang bikin gw terus penasaran untuk menikmati mahakarya terbaru mereka setelah album terakhir " The Age of Miracles Has Passed " Tahun 2008 masih dengan Unique Leader Records yang mengincar mereka sejak album pertama " Adoration of the Blade " Tahun 2006 via Deepsend Records yang kala itu mereka menggunakan Jasa Drummer Dallas Toler-Wade sudah sejak tahun 2004 banyak membantu sepak terjang band bentukan Mantan Gitaris Egyptian Death Metal Populer, Nile, Kreishloff yang pernah mengisi beberapa kali Penampilan panggungnya dan kemudian membangun Lecherous Nocturne sejak Tahun 1997. sepertinya kebersamaan dengan Nile sebelumnya banyak memberikan pengaruh kuat untuk membuat Komposisi bermusik cepat seperti halnya Nile ! yess Nile menjadi Kontributor utama dibalik musikalitas Lecherous Nocturne ! meskipun masih manusiawi untuk memainkan gaya etnis Mesir pada harmonisasi nada-nya, Lecherous Nocturne lebih mengembangkannya lagi dengan beberapa sentuhan seperti miliknya Morbid Angel, Deicide, Cryptopsy hingga Vital Remains, sehingga layak memang jika band ini memainkan konsep Technical Brutal Death Metal dengan sentuhan elemen Hitam Karakter Black Metal ! It's like None So Vile, Covenant and I, Monarch spiking an energy drink with both speed and cocaine, then jerking one another off. Spastic floods of crunching, churning rhythm guitars cede into walls of accelerated, porcupine spine tremolo picking. The bass guitar is broad and murky, creating a sense of confusion and catastrophe as it, too, rifles through millions of notes, and the sheer numbers of patterns invested into this and every other track on the album pretty much guarantee the alienation of anyone seeking simplicity or nostalgia. Drums are loud, abrasive, and move with such celerity that, combined with the guitars, constantly gives an impression that the record as a whole is about to unravel, much like the unprepared listener's sanity. They'll once in a while break into some more clearly discerned riff progression, but further eruption is inevitable: like an active volcano on an Earth spinning at an exponential rate of progress around the Sun. agak lumayan terkejut juga dengan materi kali ini yang mencoba menampilkan performa perdana drummer Alex Lancia yang masuk tahun 2009 menggantikan drummer Jeremy Nissenbaum dan bagi gw lebih berkarakter untuk konsep Lecherous Nocturne, sementara Alex Lancia yang masih eksis diband Black Metal Perancis, Annthennath kurang dapat memberikan sentuhan kental karakter Lecherous Nocturne sebelumnya, bahkan permainannya yang terbilang serba cepat lebih Tepat pada komposisi genre Black Metal brutal saja. dan ini juga adalah album pertama tanpa kehadiran bassis berbakat Mike Poggione ( Capharnaum, Eulogy, Monstrosity, Serocs, Vile (live), ex-Execration, ex-Lifeless Dreams... Pale Illusions, ex-Trivium (live), ex-The Autumn Offering, ex-Scab Maggot ) yang telah banyak memoles musik band semakin mengerikan ! dan kini posisinya digantikan oleh James O'Neal dari band Apotheosys dan Atrocious Abnormality. sejak track pertama " Ouroboros Chains " setelah Intro, Lecherous Nocturne lebih terasa menawarkan part2 yang cepat ala Nile tanpa beberapa sentuhan dinamis. I wasn't quite so swept away, but it continues along a comparable course, unlikely to disappoint those with a preference for calamitous, ballistic, bristling intensity that rarely leaves space to breathe. Gitaris Kreishloff sebenarnya lebih menawarkan aransemen riffing yang sadis namun kurang terasa sinkron dengan kehadiran drummer alex, sehingga seperti mengeluarkan enerji yang sia sia .... Granted, this was material with an appeal for fans of faster, more extreme inclinations, not incredibly popular in the middle of the 'new old school' revival, yet for an initial exposure, it was definitely another of those discs that made me feel sad about my own musical abilities, even after decades. This time out, for their third full-length overall ! alasan lain yang bisa gw berikan, Materi kali ini memang terasa kurang menggigit jika dibandingkan dengan 2 album sebelumnya. meskipun sudah tidak menjadi bagian band lagi, mantan bassis Mike Poggione kebagian mengisi bass di track terakhir " Creation Continuum " . menggandeng Produser dan Enjiner Bob Moore yang kerap menggarap album2nya Nile dan beberapa band brutal lainnya kurang mendatangkan Input yang baik walau hasil produksi sound ini sadis. mungkin ada sedikit kekecewaan jika Lecherous Nocturne belum menemukan drummer dengan konsep skill yang sesuai dengan karakter band. Behold Mighty Doctrine is like a bad day at work that never ends, where just about everything that could possibly irritate you is happening at once, and you can either roll with the painful pressures and revel in the chaotic emissions, or flee to a safe spot under the stairway. You wouldn't want to listen to this while driving in traffic, but if you give yourself plenty of room to thrash your limbs around, it's an efficient means of calorie burning. but fans of groups like Krisiun, Behemoth, Belphegor and Hate Eternal should take a painful taste of this, and let it roll around on and then possibly rip out their tongues, bisa koq cicipi sendiri betapa Konsep band ini Fast and Fast aja ! Behold Almighty Doctrine. It is perhaps not surprising then that what the band has included on their third full length release is some of the most technical, and mind-fucking death metal releases that I have encountered so far.
Extravagant luxuries like mid tempo breaks hi-tech studio shenanigans conventional song structures and even guitar solos are all unnecessary in Lecherous Nocturnes world: their music is an unrelenting firestorm of grinding double-picked guitars, Alex Lancias powerful machine-gun drumming, and massive low -end rumble courtesy of bassist James O'Neal, the intensity here is way over-the-top, the bands fury is super-concentrated and highly disciplined bursts of bile! as being a phrase that makes i kept curious to enjoy their latest masterpiece after the last album "The Age of Miracles Has Passed" in 2008 are still with Unique Leader Records are eyeing them since the first album "Adoration of the Blade" in 2006 via Deepsend Records at the time they use the service Drummer Dallas Toler-Wade has since 2004 helped the band formed by ex lunge Death Metal Guitarist Popular Egyptian, Nile, Kreishloff've filled a few times and then build the look stage Lecherous Nocturne since 1997. together with previous Nile seemed much stronger influence to make a quick musical composition as well as Nile! yess main contributors behind the Nile become musically Lecherous Nocturne! though still human to play Egypt in the ethnic style of harmonizing its tone, Lecherous Nocturne over inflate it with a few touches like his Morbid Angel, Deicide, Vital Remains Cryptopsy up, so it's worth it if the band is playing a concept Technical Brutal Death Metal with a touch of black elements The character of Black Metal! It's like None So Vile, Covenant and I, Monarch an energy drink spiking with both speed and cocaine, then jerking one another off. Spastic floods of crunching, churning rhythm guitars into walls of accelerated CEDE, porcupine spine tremolo picking. The bass guitar is broad and murky, creating a sense of confusion and catastrophe as it, too, rifles through millions of notes, and the sheer numbers of patterns invested into this and every other track on the album pretty much guarantee the Alienation of anyone seeking simplicity or nostalgia. Drums are loud, abrasive, and move with such celerity that, combined with the guitars, constantly gives an impression that the record as a whole is about to Unravel, much like the unprepared listener's sanity. Once in a while they'll break into some more Clearly discerned riff progression, but further eruption is inevitable: like an active volcano on an Earth spinning at an exponential rate of progress around the Sun. rather pretty surprised as well with the material this time trying to show the performance of drummer Alex Lancia debut coming in 2009 replacing drummer Jeremy Nissenbaum and for gw more character to the concept Lecherous Nocturne, while Alex Lancia still exist diband Black Metal France, Annthennath less able to provide the touch Lecherous Nocturne viscous character ever, even a fairly fast-paced game more Right on the composition of genre Black Metal brutal. and this is also the first album without the presence of a talented bassist Mike Poggione (Capharnaum, Eulogy, Monstrosity, Serocs, Vile (live), ex-Execration, ex-Lifeless Dreams ... Pale Illusions, ex-Trivium (live), ex-The Autumn Offering, ex-Scab Maggot) which has a lot of polishing the band's music is terrible! and now replaced by James O'Neal of the band and Atrocious Abnormality Apotheosys. from the first track "Chains Ouroboros" after the intro, Lecherous Nocturne feels more offers fast part2 ala Nile without some dynamic touch. I was not quite so swept away, but it continues along a comparable course, unlikely to disappoint those with a preference for calamitous, ballistic, bristling intensity that rarely leaves space to breathe. Guitarist Kreishloff arrangements riffing actually offer but less sadistic presence felt in sync with the drummer alex, so as to expend energy in vain .... Granted, this was material with an appeal for fans of faster, more extreme inclinations, not incredibly popular in the middle of the 'new old school' revival, yet for an initial exposure, it was definitely another of those discs that made me feel sad about my own musical Abilities, even after decades. This time out, for their third full-length overall! Another reason can i give, material this time it feels less bite than the two previous albums. although it is not part of the band anymore, former bassist Mike Poggione gets filled bass on the last track "Creation Continuum". holding Producer and Engineer Bob Moore who often worked album2nya Nile and several other less brutal bands bring good input though these sadistic sound production. there may be some disappointment if Lecherous Nocturne have not found a drummer with the concept of skills appropriate to the character of the band. Behold the Mighty Doctrine is like a bad day at work that never ends, where just about everything that could possibly irritate you is happening at once, and you can either roll with the painful pressures and revel in the chaotic emissions, or flee to a safe spot under the stairway. You would not want to listen to this while driving in traffic, but if you give yourself plenty of room to thrash your limbs around, it's an efficient means of calorie burning. but fans of groups like Krisiun, Behemoth, Belphegor and Hate Eternal should take a painful taste of this, and let it roll around on and then possibly rip out their tongues, can scar taste for yourself how this band concept aja Fast and Fast! Behold Almighty Doctrine. It is perhaps not surprising then that what the band has included on their third full length release is some of the most technical, and mind-fucking death metal releases that I have encountered so far.
0 Komentar