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9.18.2013
Cradle Of Filth - The Manticore and Other Horrors 2012

Cradle Of Filth - The Manticore and Other Horrors 2012






















Cradle Of Filth - The Manticore and Other Horrors
Nuclear Blast Records 2012


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01 The Unveiling of O 02:07    
02 The Abhorrent 05:53    
03 For Your Vulgar Delectation 04:46    
04 Illicitus     05:24    
05 Manticore 05:53
06 Frost on Her Pillow 04:12    
07 Huge Onyx Wings Behind Despair 04:23    
08 Pallid Reflection 05:34    
09 Siding with the Titans 05:17    
10 Succumb to This 04:43    
11 Sinfonia 03:23


Dani Filth - Vocals
Paul Allender - Guitars
Marthus - Drums, keyboards


Cradle of Filth have always received an unwarranted amount of loathing from the metal underground, in particular the black metal scene. Yet they have never swerved from their direction of creating interesting, often conceptual albums in a hybrid of black and goth, with a death metal undercurrent and thoughtful lyrics rooted deeply in classic British poetry and prose. The problem is of course they've made some money doing it and scored a lot of the goth chicks, and we all know that's not acceptable. This has never nulled my enjoyment of several of their albums: The Principle of Evil Made Flesh, Cruelty and the Beast, and Midian all come to mind as noteworthy efforts. meski masih menyisakan 3 member saja, Frontman Dani Filth tetap mempertahankan eksistensi Bandmath-nya sejak dia bentuk tahun 1991 di Ipswich, Suffolk, ditambah dengan Gitaris Paul Allender rekan lamanya yang sempat cabut dari band tahun 1995 kemudian memutuskan kembali lagi tahun 2000 hingga sekarang tetap setia mempertahankan citra eksklusif COF sebagai Band Extreme Gothic Metal Sukses secara komersial ini bersama drummer Berkepala Plontos Marthus tetap melanjutkan Agresi Kegelapannya dengan menyuguhkan sajian Hitam Kelam Musikal dengan Aroma Eksotisme Dunia Vampir dan satanis, COF tetap menjadi Band Metal Sukses dengan Karya2 Fenomenal dan Dasyat ! Like Cruelty and the Beast or Midian before it, this is a concept album focusing on a fascinating historical figure, in this case the French noble Gilles de Rais. Rais fought with Joan of Arc but became controversial later in life as a occultist, prolific serial killer and all-around pervert. So, in other words, the perfect subject for Dani Filth's lyrical adventures. And he is once again up to the task. dan tentunya elo masih merasakan aroma album2 terakhir COF yang sebenarnya sempat menjadi jauh dari harapan COF bisa memainkan lagi Kejayaan album pertama mereka " The Principle of Evil Made Flesh " tahun 1994 yang menjadi Album terbaik COF sepanjang Karir band. seperti kita ketahui COF kali ini memang lebih membangun kesan dengan progresi musikal yang lebih terdengar cepat dan Gelap dengan beberapa sentuhan Gothic element ditengah Chaotic-nya Harmonisasi kegelapan disempurnakan dengan Karakter Choir Vokal yang lebih menghidupkan Nuansa Occultisme dan Erotika-nya. dan Menjadi angin segar bagi COF dapat bergabung kembali dalam Roster Label Metal Terbesar saat ini, Nuclear Blast records untuk melepas invasi terbarunya ini, dan label sebelumnya, Peaceville Records dan Edel Music AG mendapat lisensi untuk rilisan kawasan Eropa-nya, dan untuk materi album ini sendiri COF mengerahkan Penyanyi Paduan Suara / Choir 11 Orang yang dikomandani oleh Konduktor Will Graney, Guitars, Orchestration, Backing Vocals band Damnation Angels yang untuk pertama kalinya menggarap untuk COF. penampilan Female Vokal Lucy Atkins tentunya masih begitu Familiar dengan Materi Album " Darkly, Darkly, Venus Aversa " tahun 2010. dan untuk penggarapan materi ini COF menggunakan Daniel Firth untuk mengisi posisi Bass-nya. walau kurang menampilkan artwork cover yang menarik seperti pada sebelumnya, karya seniman Matt Vickerstaff ini dipercaya untuk menghiasi Artwork Cover utama ini. Yuk kita mulai cerita untuk materi Gress ini, diawali dengan sebuah Intro Horror khas COF sendiri seperti pada album2 sebelumnya " The Unveiling of O " mengawali Jumpa Kekelaman hitam aroma Kegelapan COF yang langsung di Gempur Dasyat dengan Track " The Abhorrent ", Virile, symphonic, yet rooted in black and thrash metal, the tracks heave and writhe with tangible sense of vengeful sexuality befitting of Lilith. And of course Dani Filth is in a fine form, reveling in the subject matter’s innate carnality with his croaks, screeching, hissing, rasping and overly dramatic prose and delivery “A stunning woman, summoned, coming scimitar-curved, Statuesque, but living flesh, Draping nakedness about their pagan saviours, She came Lilith, a perfect myth, The scarlet whore, Skinned in magnificence !, Kejutan Hyperblasting beat dan Dark Harmonization adalah Spirit kuat COF dengan beberapa sentuhan Synthesizer atmospheric ! masih memang ga begitu jauh serangan mematikan ala COF seperti 2 Album sebelumnya. permainan Riffing Paul Allender tetap yang terbaik melahirkan harmonisasi Hitam yang kental elemen melodius-nya, Multiple Vokal Dani Filth memang tetap No Comment dengan Talenta Luar Biasa-nya. meskipun menawarkan komponen musik yang liar dan cepat, beberapa Bagian masih begitu menawarkan ekstotik-nya Thrashy riffing untuk Ritual Headbang ! selain lebih powerfully menghajar perangkat drum-nya drummer Marthus masih tetap memberikan sentuhan Hitam membius dengan permainan Dark Horror Keyboard-nya. keyboard lines that couple the now-fully Gothic beauty and barbaric brutality that’s been the Filthy way of life lo these many years into fists of metallic aggression that more than satisfies. The general feel of the music has a very eerie and gloomy appeal, which definitely fits the concept rather nicely. For the first time in years, it sounds as though most of the central arrangements are based on the keyboards lines versus the riffs, which has always worked best for the band, the way I see it; Marthus key fingerings are quite impressive, giving the music more depth than one has heard from the group in some time now, and the performance is again energetic, lively, and filled to the brim with symphonic goodness. lalu " For Your Vulgar Delectation " dengan sentuhan Crusty Punk Riffing mengawali Part awal-nya dengan masih tetap enerjik. cabikan jemari Hitam riffing Gitaris Paul Allender masih menampilkan permainan melodius, memang mengingatkan sekali dengan karakternya era album pertama " The Principle of Evil Made Flesh " juga. " Illicitus " semakin terus memantapkan Intensitas aroma Musik hitam eksotik In The Vein COF. The drummer does his best, but he cannot save this album from falling into mediocrity, the guitarists seem to be stuck in a standstill, as they barely shine on this album. Had it not been for the keyboards and Dani Filth’s voice, I would have regarded the album as a bad Slayer imitation. Speaking of Dani’s voice, it’s obvious he’s getting older and his once high-pitched screams are nowadays some bells at the gates of oblivion. He tries to grunt his ass off as much as he can and from time to time he keeps the listener’s attention with his high-pitched screams, but even his grunts reek of fatigue. Track andalan " Manticore " berikutnya menampilkan Komponen Part yang terasa sangat megah khas banget COF yang seperti telah menjadi Trademark Memorability Part ! struktur musik yang dinamis memang akan memberi jaminan mutu ga akan boring memang menikmati sajian spesial band yang selalu memiliki Komposisi Musik Hitam Brilian ini. hingga Hitungan menit ke 51:35 lagi2 COF telah memanjakan COF fans freak-nya dengan sajian hangat-nya, dan bagi yang sudah familiar dengan konsep mereka sebelumnya, gw berani jamin aja kalau album ini tetap menjadi debut yang kagak mengecewakan sedikitpun. sajian yang semakin matang tertawarkan dalam 9 Track lengkap dengan intro dan outro-nya, COF tetap tidak kehilangan Trademark dan sophomore musikalitas kuatnya. the atmosphere created by the keyboards and the neverending drumming. Apart for several solos, the guitars don’t draw any attention, they are used strictly for the rhythm section which is pretty much buried below the aforementioned instruments. tetap tidak menyisakan Bad comment for this release, COF fans, This Keep Special for You consume ! Hasil kerja keras tangan dingin enjiner Scott Atkins, yang kita kenal sebagai gitaris band Stampin' Ground mulai kerja bareng COF sejak album " Darkly, Darkly, Venus Aversa " juga duduk sebagai Produser telah melahirkan kembali The Freak COF masterpiece again and again ! This album is a bit of a ressurection - the Cradle sound is still there - it's the same style, but it's just much better than anything they've done in the past. It's like the band started in one direction, changed course to see what else is out there, and finally decided that the original direction that they were going was the best for them. You should not really hate musicians for wanting to try new things - I myself am always exploring new ways to grow. This album is very similar to their last albums but it's not an absolute return. Dani has, in my opinion, finally perfected his vocal style. His shrieks, love them or hate them, could not be better and he does not overuse them as he has done so in the past, which used to get on my nerves at times. 

Cradle of Filth have always received an unwarranted amount of Loathing from the metal underground, in particular the black metal scene. Yet they have never swerved from their direction of creating interesting, conceptual albums Often in a hybrid of black and goth, with a death metal undercurrent and thoughtful lyrics deeply rooted in classic British poetry and prose. The problem is of course they've made some money doing it and scored a lot of the goth chicks, and we all know that's not acceptable. This has never nulled my enjoyment of several of their albums: The Principle of Evil Made Flesh, Cruelty and the Beast, Midian and all come to mind as noteworthy efforts. while still leaving three members only, Frontman Dani Filth Bandmath retaining his existence since he formed in 1991 in Ipswich, Suffolk, plus guitarist Paul Allender old colleague who was plucked out of the band in 1995 and then decided to come back again in 2000 until now remained loyal retain the exclusive image of COF as Extreme Gothic Metal Band commercial success along the bullet-headed drummer Marthus darkness continued aggression by presenting offerings to the Aroma Black Dark Love Vampire World exoticism and satanic, COF remains a Metal Band Phenomenal Success with Karya2 and terrible! Like Cruelty and the Beast or Midian before it, this is a concept album focusing on a fascinating historical figure, in this case the French noble Gilles de Rais. Rais Fought with Joan of Arc Became controversial but later in life as a occultist, prolific serial killer and all-around pervert. So, in other words, the perfect subject for Dani Filth's lyrical adventures. And he is once again up to the task. and certainly still feel the aroma Albums2 elo last actual COF could be a lot of expectations COF could play again triumph of their first album "The Principle of Evil Made Flesh" in 1994 which became the best album the band COF long career. COF time as we know it is more constructive impression with a more musical sounding progressions quickly and Dark with some Gothic touches Chaotic his element amid the darkness Harmonization Enhanced Character Vocal Choir is more nuance turn his Occultisme and Erotica. and fresh air for COF Being able to rejoin the Greatest Metal Label Roster today, Nuclear Blast Records for the release of this new invasion, and the previous label, Peaceville Records and Edel Music AG licensed to release its European region, and for this album material COF exert himself Singers Choral / Choir 11 people, which was led by Conductor Will Graney, Guitars, orchestration, Backing Vocals the band Damnation Angels for the first time working for the COF. Lucy Atkins Female Vocal performances are so familiar with the course material album "Darkly, Darkly, Venus Aversa" in 2010. and for the cultivation of COF materials used to fill the Firth Daniel Bass. though less attractive cover featuring artwork as the previous artist Matt Vickerstaff is believed to decorate this main Cover Artwork. Let us start the story for this Gress material, begins with a typical Horror Intro COF itself as in the previous Albums2 "The Unveiling of O" started the dark gloom Meet scent directly in the Dark COF terrible with Track Attack "The Abhorrent", Virile, symphonic, yet rooted in black and thrash metal, the tracks heave and writhe with tangible sense of vengeful sexuality befitting of Lilith. And of course Dani Filth is in a fine form, reveling in the subject matter's innate carnality with his croaks, screeching, hissing, rasping and overly dramatic prose and delivery "A stunning woman, summoned, coming Scimitar-curved, Statuesque, but living flesh , Draping nakedness about their pagan saviors, She came Lilith, a perfect myth, the scarlet whore, Skinned in magnificence!, surprise Hyperblasting beats and powerful Dark Spirit COF Harmonization is with some atmospheric touches Synthesizer! so far it is still deadly ga ala COF as 2 previous album. Paul Allender dueling game remains the best black bear strong harmonizing its melodic elements, Multiple Vocals Dani Filth is still No Comment to his extraordinary talent. despite offering a wild musical components and fast, so some parts are still offering its thrashy riffing ekstotik for Ritual Headbang! more powerfully than the beat of his drum drummer Marthus still remains a touch of black to the game Dark Horror drugged her keyboard. keyboard lines that couple the now-fully Barbaric Brutality Gothic beauty and that's been the way of life Filthy lo these many years into fists of metallic aggression that more than satisfies. The general feel of the music has a very eerie and gloomy appeal, roomates definitely fits the concept rather nicely. For the first time in years, it sounds as though most of the central arrangements are based on the keyboards lines versus the riffs, roomates has always worked best for the band, the way I see it; Marthus key fingerings are quite impressive, giving the music more depth than one has heard from the group in some time now, and again the performance is energetic, lively, and filled to the brim with symphonic goodness. and "For Your Vulgar Delectation" with a touch of Crusty Punk Part riffing started early with his still energetic. Black fingers shred guitarist Paul Allender was riffing game featuring melodic, is reminiscent of the era once the character's first album "The Principle of Evil Made Flesh" as well. "Illicitus" continue to strengthen the intensity of the aroma of exotic black Music In The Vein COF. The drummer does his best, but he can not save this album from falling into mediocrity, the guitarists seem to be stuck in a standstill, as they barely shine on this album. Had it not been for the keyboards and Dani Filth's voice, I would have regarded the album as a bad imitation Slayer. Speaking of Dani's voice, it's obvious he's getting older and his once high-pitched screams are nowadays some bells at the gates of Oblivion. He tries to grunt his ass off as much as he can and from time to time he keeps the listener's attention with his high-pitched screams, but even his grunts reek of fatigue. Track mainstay "Manticore" Component Part next show that feels very pretentious typical COF really like have become Trademark memorability Part! dynamic structure of the music is going to give assurance it will not enjoy the dish special indeed boring band that always has this Brilliant Black Music Composition. Counts up to 51:35 minutes lagi2 COF COF has spoiled his fans freak with his warm dish, and for those who are familiar with the concept of them before, i can assure you wrote that the album is still a bit disappointing debut nope. serving an increasingly mature in 9 Track tertawarkan complete with intro and outro her, COF still not lose Trademark and sophomore strong musicality. The atmosphere created by the keyboards and the neverending drumming. Apart for several solos, the guitars do not draw any attention, they are used strictly for the rhythm section is pretty much roomates buried below the aforementioned instruments. still not leaving Bad comment for this release, COF fans, Keep This consume Special for You! The results of the hard work of engineers Scott Atkins cold hands, which we know as the guitarist of the band Stampin 'Ground COF began working together since the album "Darkly, Darkly, Venus Aversa" is also sitting as a producer has delivered back The Freak COF masterpiece again and again! This album is a bit of a Ressurection - the Cradle sound is still there - it's the same style, but it's just much better than anything they've done in the past. It's like the band started in one direction, changed course to see what else is out there, and finally Decided that the original direction they were going that was the best for them. You should not really hate musicians for wanting to try new things - I myself am always exploring new ways to grow. This album is very Similar to their last albums but it's not an absolute return. Dani has, in my opinion, finally Perfected his vocal style. His shrieks, love them or hate them, could not be better and he does not overuse them as he has done so in the past, roomates used to get on my nerves at times.

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