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9.14.2013
Rumpelstiltskin Grinder - Ghostmaker 2012

Rumpelstiltskin Grinder - Ghostmaker 2012






















Rumpelstiltskin Grinder - Ghostmaker
Candlelight Records 2012


http://www.rumpelstiltskingrinder.com
http://www.myspace.com/rumpelstiltskingrinder
http://www.facebook.com/RumpelstiltskinGrinder
http://twitter.com/RumpelSSGrinder
http://www.purevolume.com/RumpelstiltskinGrinder
http://www.stereokiller.com/RUMPELSTILTSKINGRINDER
stevedipietro@candlelightrecordsusa.com

01 Those Who Are Unseen 03:10    
02 Ghostmaker 03:05    
03 Nightworms 04:52    
04 Fucking Wild 03:12    
05 Dripping With Venom 03:47    
06 Cold Hunting Death 04:27    
07 A Lurking Thief 03:51    
08 You've Been Had 02:32    
09 Iron Jaw 03:04    
10 Get Out of My Grave / Gigantic Graveyard 04:42    
11 Run Through the Bastards 05:25    
12 Desert Goblins 03:38


Patrick Battaglia - Drums
Ryan Moll     - Guitars
Matt Moore - Guitars, Vocals
Shawn Riley - Vocals, Bass


They are not the mob; they are bigger than the mob. No one knows who heads this lethal organization. The only visible entities of this secret society are the criminal thrash band RUMPELSTILTSKIN GRINDER and members of the Orange and Black Attack. Metal needed to become dangerous again, and with their superior diabolical burglar metal, RsG brings an edge back into the metal world not known since the days of burning churches and eating brains!” telah menjadi konsep Band Death/Thrash Bagus asal Philadelphia, Pennsylvania, USA yang eksis sejak Tahun 2002, secara Musikalitas band ini lebih terdengar cenderung memainkan Old School Death Metal style dengan balutan Modern Sound, dan entah kenapa Band ini lebih enjoy menyebut musiknya sebagai " Thrash Metal ", karena hal ini Band ingin lebih memberi Kesempatan pendengarnya bebas menentukan konsep musik Rumpelstiltskin Grinder sendiri. Rumpelstiltskin Grinder memang diambil dari salah satu Tokoh Antagonis Populer dari cerita Dongeng asal Negara jerman dengan nama aslin sebagai " Rumpelstilzchen " telah dibukukan kembali dongeng ini oleh penulis Brothers Grimm pertama kali mempublikasikannya dalam sebuah buku berjudul " Children's and Household Tales " tahun 1812 untuk pertama kalinya, karena menjadi begitu populer, hingga beredar dan berkembang ceritanya ga hanya dinegara Jerman, yang kemudian merambah ke negara England, Swedia dan Netherlands, dikenal juga memiliki beberapa nama baru seperti Tom Tit Tot, Päronskaft dan Repelsteeltje. dan untuk menambah kesan yang jahat lagi, Patrick Battaglia Cs ini menambahkannya dengan kata " Grinder ", well menambah kesan aslinya sebagai bagian dari cerita dongeng, Imej band ini sendiri pun dibangun dengan cerita2 Humor sinting tertulis dalam setiap lirik lagunya. they stand out from the legions of 80s wannabes through their incorporation of melodic death/black and grind elements into the primal Bay Area energy they evince from their guitars. Thrash is the mortar, surely, but the pestle is something more decidedly 'extreme'. Materi kali ini disuguhkan secara kontenporer melalui 12 lagu Old School Death/Thrash dengan sentuhan yang terasa modern. In the past, I haven't had much interest in their records; not just because I found them cheesy and unfunny, but because their tendency and technique of throwing a bunch of influence at the listener never configured itself into particularly memorable riffing or songwriting. track awal " Those Who Are Unseen " menggebrak dengan cukup Enerjik melalui balutan Hitam Old School Thrash metal yang lebih menggunakan karakter Harsh Vokal dipadu dengan Growl Death Metal vokal dari Gitaris Matt Moore dan Bassis Shawn Riley. digeber dengan part yang cepat mengingatkan sekali Gw dengan karakteristik yang pernah di usung oleh At The gates, Exhumed dan Carcass ! As it turns out, though, this is a more cohesive and volatile product than tiehr of the preceding albums, a more muscular expression of the group's puerile purpose delivered across a dozen hymns of various fantasy, It grows more interesting as it proceeds into warlike, melodic thrash territory, but still forgettable ! dan 1 lagu tersebut cukuplah bagi gw untuk menggambarkan konsep Death/Thrash kental dengan balutan Melodic Part. dengan struktur musik yang lebih rapi dan terkonsep, band ini hampir menunjukkan kesempurnaanya di album baru ini. banyak sekali lirik lagu yang ga bisa gw cerna kata2nya, karena memang di ilhami oleh cerita dongeng dan Humor Gila, tentunya banyak persepsi yang gw tangkap berbeda. dan yang pasti Band ini selalu hadir dengan artwork Lukisan menarik pada setiap albumnya, yang kali ini menggandeng Vokalis Band Death Metal terkenal Florida, Monstrosity, Mike Hrubovcak kebagian menggarap konsep artwork kovernya, memang selain Jago dalam Berkoar, Mike Hrubovcak terkenal berbakat membuat Artwork Kover beberapa band terkenal seperti Cephalotripsy, Abominant, Being Killed, Avulsed, Sinister, XXX Maniak dan masih banyak lagi karyanya digunakan. With a bit more emphasis on its apparent strengths in musicianship and a few less cloying, dull breakdown segments, Buried in the Front Yard might have been a decent debut of modern thrash that kept one eye forward with the other on the past. The guitars are very chunky, and they seem a little off balance with the leads, though the muted melodies the band are constantly inhabiting sound bold enough. Rumpelstiltskin Grinder have put at least a little thought into it, and since they've done the same for just about every element of the music, it deftly manages to avoid the Pit of Suck. The production is good and even handed, impressive as they did it themselves; with a nice punch to the riffs; the one caveat is that the vocals are entirely too generic sounding and in dire need of some character.

They are not the mob; they are bigger than the mob. No one knows who heads this lethal organization. The only visible entities of this secret society are the criminal thrash band Rumpelstiltskin GRINDER and members of the Orange and Black Attack. Metal needed up to become dangerous again, and with their superior metal burglar diabolical, RSG brings an edge back into the metal world not known since the days of burning churches and eating brains! "Has become a concept band Death / Thrash Good native Philadelphia, Pennsylvania, USA that existed since 2002, the musicality of the band sound more likely to play Old School Death Metal style with a bandage Modern Sound, and somehow this band more enjoy calling his music as "Thrash Metal", as this band would like more opportunities to give listeners free Rumpelstiltskin Grinder define the concept of the music itself. Rumpelstiltskin Grinder is taken from one of the leaders antagonists Popular story of Fables home country germany as aslin as "Rumpelstilzchen" was recorded back this tale by the author of Brothers Grimm was first published it in a book called "Children's and Household Tales" in 1812 for the first time , because it became so popular, to circulate and evolve the story ga only country Germany, which then spread to countries England, Sweden and the Netherlands, also known to have some new names like Tom Tit Tot, Päronskaft and Repelsteeltje. and to add to the impression of evil again, Patrick Battaglia Cs is add the word "Grinder", well add to the impression of the original as part of a fairy tale, The image band itself was constructed with eccentric humor cerita2 written in every lyric. they stand out from the legions of wannabes 80s through their incorporation of melodic death / black and grind elements Bay Area into the primal energy they Evince from their guitars. Thrash is the mortar, surely, but the Pestle is something decidedly more 'extreme'. The material presented in kontenporer through 12 tracks of Old School Death / Thrash with a touch that feels modern. In the past, I have not had much interest in their records; not just because i found them cheesy and unfunny, but Because their tendency and technique of throwing a bunch of influence at the listener never configured itself into particularly memorable riffing or songwriting. initial track "Those Who Are Unseen" kicked with enough dressing Energetic through Black Old School Thrash metal is more use characters Harsh vocals combined with Growl Death Metal vocals of guitarist Matt Moore and bassist Shawn Riley. lauched with parts quickly reminded once Gw characteristics ever in stretcher by At The Gates, and Carcass Exhumed! As it turns out, though, this is a more cohesive and volatile product than tiehr of the preceding albums, a more muscular expression of the group's puerile purpose delivered across a dozen hymns of various fantasy, It grows more interesting as it proceeds into warlike, melodic thrash territory, but still forgettable! and one song is enough for gw to illustrate the concept of Death / Thrash Melodic Part condensed with a bandage. the musical structure is more neat and terkonsep, the band almost shows kesempurnaanya on this new album. a lot of song that can not digest kata2nya gw, because it was inspired by fairy tales and Crazy Humor, of course i catch a lot of different perceptions. and certainly the band is always present with artwork paintings draw on each album, which this time took the famous Death Metal Band Vocalist Florida, Monstrosity, Mike gets to work on the concept artwork Hrubovcak kovernya, is in addition to boasting Jago, Mike Hrubovcak famous talented make some Coverage Artwork well-known bands such as Cephalotripsy, Abominant, Being Killed, avulsed, Sinister, XXX Maniak and much more work is used. With a bit more emphasis on its apparent strengths in musicianship and a few less cloying, dull breakdown segments, Buried in the Front Yard might have been a decent debut of modern thrash that kept one eye with the other forward on the past. The guitars are very chunky, and they seem a little off balance with the leads, though the muted melodies the band are constantly inhabiting sound bold enough. Rumpelstiltskin Grinder have put at least a little thought into it, and since they've done the same for just about every element of the music, it deftly manages to avoid the pit of Suck. The production is good and even handed, impressive as they did it Themselves; with a nice punch to the riffs; the one caveat is that the vocals are entirely too generic sounding and in dire need of some character.

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